Author Index

A

  • Alimohammadi, Javad The function of the black and white color in costume designing, based on Roland Barthes Semiotic theory (Case Study: Anna Karenina, My fair lady) [Volume 24, Issue 3, 2019, Pages 73-80]
  • Alinejad, Raha The role of the " Prague Quadrennial " ( PQ ) art event in explaining the contemporary stage design [Volume 24, Issue 4, 2020, Pages 55-66]
  • Azarsa, Ahmad Studying the Influence of Gender on Gaze Point of Cinema Viewers with Eye Tracker Headset: The Case of Separation Movie [Volume 24, Issue 4, 2020, Pages 77-86]

B

  • Bani Ardalan, Esmaiiel Laura Mulvey’s Still-Moving Dialectic on the Cinema of Abbas Kiarostami* [Volume 24, Issue 1, 2019, Pages 79-86]
  • Bemanian, Mohammad reza Recognizing Iranian Performative Places and Spaces in Persian Paintings [Volume 24, Issue 1, 2019, Pages 59-68]

D

  • Dashtpeyma, Naser A Drama Belonging to Other: Exploration of Patriarchy through a Feminist Reading in three Plays by Bahram Beyzai [Volume 24, Issue 3, 2019, Pages 47-58]
  • Dehghan, Ali A Drama Belonging to Other: Exploration of Patriarchy through a Feminist Reading in three Plays by Bahram Beyzai [Volume 24, Issue 3, 2019, Pages 47-58]
  • Doroudian, Maryam Recognizing Iranian Performative Places and Spaces in Persian Paintings [Volume 24, Issue 1, 2019, Pages 59-68]

E

  • Esfandiary, Shahab Laura Mulvey’s Still-Moving Dialectic on the Cinema of Abbas Kiarostami* [Volume 24, Issue 1, 2019, Pages 79-86]
  • Ezzati, Mehrdad ‘Existential Tragedy’ in Lord Byron’s ‘Manfred’ [Volume 24, Issue 3, 2019, Pages 27-36]

F

  • Fahmifar, Asghar The Process of Structural Transformation of John Cage’s Music (Case Study: Composition, Notation, Audience) [Volume 24, Issue 2, 2019, Pages 43-56]
  • Fakhr, Iman The correlation between amount of practice time and performance anxiety, and academic achievement among Western classical music performance students [Volume 24, Issue 2, 2019, Pages 25-32]
  • Fakhr, Iman Rhetorical Persuasion in the Music of J.S. Bach: A Case Study of the Prelude from Cello Suite No.3 in C-major BWV 1009 [Volume 24, Issue 4, 2020, Pages 5-16]
  • Fatemi, Sasan The Evolution of Tradition of Baghshi in Turkmen-Sahra: ُA Special Case of Musical Change [Volume 24, Issue 3, 2019, Pages 37-46]

G

  • Gharasou, Maryam Music Listening in the Ritual of Zar [Volume 24, Issue 2, 2019, Pages 67-76]
  • Ghasemian Dastjerdi, parvaneh The function of the black and white color in costume designing, based on Roland Barthes Semiotic theory (Case Study: Anna Karenina, My fair lady) [Volume 24, Issue 3, 2019, Pages 73-80]
  • Goharinasab, Arman The Evolution of Tradition of Baghshi in Turkmen-Sahra: ُA Special Case of Musical Change [Volume 24, Issue 3, 2019, Pages 37-46]

H

  • Hadidi, Hamed The extent of achieving the goals of the author in the method of teaching guitar to Iranian children [Volume 24, Issue 4, 2020, Pages 25-32]
  • Homazadeh, Mahdi Comparison Between Film and Traditional Arts; A Philosophical Critic on Traditionalism According to Hikmat-Motaalieh [Volume 24, Issue 4, 2020, Pages 17-24]
  • Honarmand, Amin A study of Behzad Ranjbaran's "Seven Passages" with focus on elements of cohesion and diversity [Volume 24, Issue 3, 2019, Pages 13-26]
  • Hosnaee, Mohammad Reza The Role of Mascots' Characters of the Advertisement Animation Films in the Food Industry Branding [Volume 24, Issue 1, 2019, Pages 37-48]
  • Hosnaee, Mohammad Reza Interactive Storytelling: Study of Audience, Author and Narrative Contribution in VR Animations [Volume 24, Issue 4, 2020, Pages 33-42]

J

  • Jamshidi, Akram Laura Mulvey’s Still-Moving Dialectic on the Cinema of Abbas Kiarostami* [Volume 24, Issue 1, 2019, Pages 79-86]

K

  • Kamyabimask, Ahmad Sociological Study of “Four Boxes” by Bahram Beyzaie, Relying on the Words of Lucien Goldmann [Volume 24, Issue 1, 2019, Pages 69-78]
  • Kashfi, Seyedeh Zahra The elimination of place borders in puppet Theatre considering with Schechner views and it's role in improving relationships between performative elements. [Volume 24, Issue 2, 2019, Pages 57-66]
  • Kimiavi, Yasaman Multiphonic notation systems for the oboe; A practical and corrective approach [Volume 24, Issue 3, 2019, Pages 59-72]

M

  • Mash-hadi Farahani, Mahshid The Study On Luts in Ancient Elamit figurine [Volume 24, Issue 2, 2019, Pages 17-24]
  • Masudnia, Navid The Role of Mascots' Characters of the Advertisement Animation Films in the Food Industry Branding [Volume 24, Issue 1, 2019, Pages 37-48]
  • Meisami, Seyed Hossein Triple Sudud in the works of Maraqi and his son Abdulaziz [Volume 24, Issue 1, 2019, Pages 49-58]

N

  • Naghashzadeh, Masoud Designing a Model for Film Production Risk Management [Volume 24, Issue 2, 2019, Pages 33-42]
  • Nedai, Amir Hasan Social Functions of Samurai Film Genre from Ideologic and Ritual-Mythologic approach [Volume 24, Issue 4, 2020, Pages 43-54]

P

  • Pakbaz, Mehrdad The extent of achieving the goals of the author in the method of teaching guitar to Iranian children [Volume 24, Issue 4, 2020, Pages 25-32]

R

  • Rahbar, Ilnaz Iranian Music Iconography; Interpretation and Explanation Deficiencies, Methodologies and Suggestions [Volume 24, Issue 1, 2019, Pages 25-36]
  • Raissi, Poya Designing a Model for Film Production Risk Management [Volume 24, Issue 2, 2019, Pages 33-42]
  • Raissi, Sadigh Designing a Model for Film Production Risk Management [Volume 24, Issue 2, 2019, Pages 33-42]
  • Rashidi, Sadeq The elimination of place borders in puppet Theatre considering with Schechner views and it's role in improving relationships between performative elements. [Volume 24, Issue 2, 2019, Pages 57-66]

S

  • Safoora, Mohammad Ali Social Functions of Samurai Film Genre from Ideologic and Ritual-Mythologic approach [Volume 24, Issue 4, 2020, Pages 43-54]
  • Salavatian, Siavash Studying the Influence of Gender on Gaze Point of Cinema Viewers with Eye Tracker Headset: The Case of Separation Movie [Volume 24, Issue 4, 2020, Pages 77-86]
  • Salim Alaqeband, Basir Social Functions of Samurai Film Genre from Ideologic and Ritual-Mythologic approach [Volume 24, Issue 4, 2020, Pages 43-54]
  • Sepehran, Kamran ‘Existential Tragedy’ in Lord Byron’s ‘Manfred’ [Volume 24, Issue 3, 2019, Pages 27-36]
  • Shayanmehr, Raziyeh A Drama Belonging to Other: Exploration of Patriarchy through a Feminist Reading in three Plays by Bahram Beyzai [Volume 24, Issue 3, 2019, Pages 47-58]
  • Sheikholhokamaei, TAHER Nakhl-bandi; an example of scenic design in Iranian culture [Volume 24, Issue 4, 2020, Pages 67-76]
  • Sheikholhokamaei, Zahra Nakhl-bandi; an example of scenic design in Iranian culture [Volume 24, Issue 4, 2020, Pages 67-76]

T

  • Tonkaboni, Seyyed Mohammad A study of Behzad Ranjbaran's "Seven Passages" with focus on elements of cohesion and diversity [Volume 24, Issue 3, 2019, Pages 13-26]

Y

  • Yeganeh Dost, Mohammad Reza Studying the Influence of Gender on Gaze Point of Cinema Viewers with Eye Tracker Headset: The Case of Separation Movie [Volume 24, Issue 4, 2020, Pages 77-86]

Z

  • Zaker Jafari, Narges History of Music ensemble and instrumental accompaniment in the Islamic era of Iran until the Qajar [Volume 24, Issue 2, 2019, Pages 5-16]